Hany Abu-Assad

 
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Born in Nazareth in 1961, Abu-Assad studied and worked as an airplane engineer in The Netherlands for several years, before entering the world of cinema and television as a producer.

 

He worked on television programs about foreign immigrants and documentaries like Dar O Dar for Channel 4 and Long Days in Gaza for the BBC. After his second short The 13th, which he wrote, produced and directed, Abu-Assad began his first full-length feature project as a director. He teamed up with writer Arnon Grunberg to develop a script that challenged and explored cinematic narrative and style in a comedy about a couple in Amsterdam. The film, The Fourteenth Chick was the opening film of the Dutch Film Festival in Utrecht 1998 and was distributed by United International Pictures.

Since Augustus Film was founded by Abu-Assad and Bero Beyer in 2000, Abu-Assad has directed Rana's Wedding (2002), a production realized with the support of the Palestinian Film Foundation of the Ministry of Culture of the Palestinian National Authority, and describes a day in the life of a young woman in Jerusalem, during which she tries to get married before four o' clock that day. The film was selected for Critics Week 2002 in Cannes and went on to win prizes at Montpellier, Marrakech, Bastia and Cologne. Abu-Assad's latest documentary, Ford Transit (2002), played at the Sundance Film Festival. A portrait of a driver of a Ford Transit taxi, the film humorously observes the resilient inhabitants of Palestinian territories. The film won the FIPRESCI award during the Thessaloniki Film Festival, the In the Spirit of Freedom Award in Jerusalem and together with Rana's Wedding, the Nestor Almendros Award for courage in filmmaking at the Human Rights Film Festival in New York.

Abu-Assad and Beyer wrote Paradise Now in 1999 and shot the film in Nablus in 2004. It made its World Premiere at the Berlin Film Festival 2005, where it was won the Blue Angel Award for Best European Film, the Berliner Morgenpost Readers' Prize and the Amnesty International Award for Best Film.

His work includes the bittersweet documentary Nazareth 2000, which Abu-Assad made for Dutch VPRO television. The turmoil in a divided and secretly occupied city and its quarreling Palestinian inhabitants, Christian and Muslim, is viewed through the eyes of two gas station attendants. Combining both a kind and a satirical approach to a serious subject matter, Abu-Assad succeeded in creating a multifaceted and surprisingly humorous documentary.

 

Filmography